The Rolling Stones 1964 Signed The T. A. M. I. Show Contract (USA)

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The Rolling Stones 1964 Signed The T. A. M. I. Show Contract (USA)
The Rolling Stones 1964 Signed The T. A. M. I. Show Contract (USA)

The Rolling Stones 1964 Signed The T. A. M. I. Show Contract (USA)
A two page typed contract dated 12th October 1964 drawn up between Electronovision Productions Inc and Eric Easton Ltd. For the Rolling Stones appearance on the T. It was recorded between 28th and 29th October 1964 at the Santa Monica Civic Auditorium, California. A host of stars appeared on the show alongside the Stones. These included the Beach Boys, Chuck Berry, James Brown, Marvin Gaye, Gerry And The Pacemakers, the Supremes and many others. Around 3,000 tickets for the event were given away free to local high school students to be in the audience with every performance being recorded. After the two days had concluded everything was edited and then released on 29th December 1964. The second page of the contract has been signed by Mick Jagger, Keith Richards, Brian Jones, Bill Wyman and Charlie Watts in blue ballpoint pen. Each page measures 21.5cm x 28cm (8.5 inches x11 inches). There are staple and punch holes at the top. The condition is very good plus. The first item is charged at the normal rate. Our Grading System Explained. Mint = As new. Near Mint = Almost like new with one or two very minor flaws. Excellent = Minor wear yet looks attractive and is perfectly usable. Very Good = Some wear and tear but overall presentable and usable. Good = Apparent wear and tear but with obvious deterioration of the condition. Poor = Extremely worn. A plus or minus after the grading indicates that the condition is marginally higher or lower than the stated grade.
The Rolling Stones 1964 Signed The T. A. M. I. Show Contract (USA)

Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies

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Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies

Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies
A large and comprehensive archive of contractual documents relating to court proceedings surrounding The Rolling Stones’ management and their dealings with Allen Klein. Allen Klein was one of the most powerful and controversial music managers of the 1960s and early 1970s. He rose to prominence through his work with The Beatles at a critical point in their career, negotiating significantly improved royalty rates and gaining unprecedented control over their business affairs. The Beatles are widely regarded as the most influential band in popular music history, redefining songwriting, recording, and the global music industry itself. Klein’s involvement with them, and later with The Rolling Stones, places these documents firmly at the centre of music industry history. The archive includes an “Allen Klein discovery” section comprising 42 individual points, detailing contractual and legal material disclosed during court proceedings. These papers offer rare insight into the legal strategies, disputes, and business mechanics behind one of the most high-profile management relationships of the era. In addition, there is a substantial selection of contracts arranged across three separate stapled groups, covering agreements between Decca Records, The Rolling Stones, and Andrew Loog Oldham. Oldham was the band’s original manager and producer, instrumental in shaping their early image and sound, and a key figure in launching their career. His role was pivotal in positioning The Rolling Stones as a defining force of British rock music. The documents appear to be solicitors’ copies, as all bear reproduced signatures rather than original hand-signed examples. They are copies of the original contracts, created during the same period as the agreements themselves. Several pages show pencil amendments made by the same hand, likely that of a lawyer or solicitor, adding further authenticity and context to the legal process. See my other listing of Mick’s personal statement from the Redlands bust, which came from the same estate/sale. Overall, this collection provides an incredibly insightful and detailed look into the contracts, negotiations, and inner workings behind one of the greatest and most successful bands in the world, and the powerful figures who helped shape – and challenge – their business affairs.
Rolling Stones Contract Documents Relating To Allen Klein Signed Court Copies

STAN GETZ 1962 SIGNED Village Gate Contract/ Ex-CHARLIE WATTS- Rolling Stones

STAN-GETZ-1962-SIGNED-Village-Gate-Contract-Ex-CHARLIE-WATTS-Rolling-Stones-01-uf
STAN GETZ 1962 SIGNED Village Gate Contract/ Ex-CHARLIE WATTS- Rolling Stones
STAN GETZ 1962 SIGNED Village Gate Contract/ Ex-CHARLIE WATTS- Rolling Stones
STAN GETZ 1962 SIGNED Village Gate Contract/ Ex-CHARLIE WATTS- Rolling Stones
STAN GETZ 1962 SIGNED Village Gate Contract/ Ex-CHARLIE WATTS- Rolling Stones

STAN GETZ 1962 SIGNED Village Gate Contract/ Ex-CHARLIE WATTS- Rolling Stones
An Associated Musicians of New York contract for a series of October, 1962 shows by jazz great Stan Getz at New York’s Village Gate, hand signed by the legendary saxophonist. Just six months earlier, Getz had released his hit album with guitarist Charlie Byrd. Jazz Samba signaled the beginning of the bossa nova craze in America. Stan Getz was the featured soloist and the tracks were arranged by Charlie Byrd, who had first heard bossa nova during a tour of Brazil in 1961. Charlie Watts: Gentleman, Collector, Rolling Stone. With Recordmecca’s written lifetime guarantee of authenticity, card noting that this was part of the Charlie Watts collection, and a copy of the Christie’s lot label. 8 1/2″ x 11″. Recordmecca’s clients include the Smithsonian Institution, the Rock and Roll Hall of Fame, Museum of Pop Culture (formerly Experience Music Project,) the Country Music Hall of Fame, and the Victoria & Albert Museum. Recordmecca’s Jeff Gold was named by Rolling Stone as one of 5 Top Collectors of High-End Music Memorabilia. He authenticated previously unknown Bob Dylan manuscripts for PBS’s History Detectives, appeared as a featured appraiser on VH1’s Rock Collectors, and has been profiled as a top dealer and collector in the books Vinyl Junkies and Retromania: Pop Culture’s Addiction to it’s Own Past. Gold is author of the acclaimed books Sittin’ In: Jazz Clubs of the 1940s and 1950s; Total Chaos: The Story of The Stooges/As Told By Iggy Pop; and 101 Essential Rock Records: The Golden Age of Vinyl a survey of seminal rock albums, featuring contributions from David Bowie, Iggy Pop, Johnny Marr and Graham Nash. Check our feedback; you’ll see that we are dedicated to providing superior customer service and follow through. We guarantee everything we sell to be authentic with no time limit.
STAN GETZ 1962 SIGNED Village Gate Contract/ Ex-CHARLIE WATTS- Rolling Stones