Complete Five-Member Lineup – Including Brian Jones. « 12 x 5 » · 1964 London Records · PS 402 Stereo. An original 1964 US Stereo pressing of. Signed by all five original Rolling Stones in blue ballpoint across the upper field of the laminated sleeve. The complete original lineup. The set that can never be assembled again. Brian Jones drowned at Cotchford Farm on July 3, 1969 – age 27. Charlie Watts died August 24, 2021. Five-Stones-with-Jones items are the apex tier of Rolling Stones autographs – the irreplaceable variable, no longer obtainable at any price in any volume. Forensically authenticated by Scientific Authentication Company – SAC #SAC005732, February 2026 – Final Assessment: AUTHENTIC. Display & Collector Value: EXTREMELY HIGH. 12? LP – Laminated Sleeve. October 17, 1964 (US). All Five – Jagger, Richards, Jones, Watts, Wyman. SAC #SAC005732 – AUTHENTIC. Good to Very Good. Why a Complete Five-Stone Lineup Matters. Brian Jones is the variable that cannot be replaced. He founded the band. He drowned in his swimming pool on July 3, 1969 – age 27 – less than a month after being fired from the group. His signatures on commercial album sleeves are dramatically scarcer than Mick or Keith’s for one simple reason: he was only available to sign for six of the band’s active years, and most of his signing happened pre-fame in the UK. Charlie Watts is now also gone – died August 24, 2021, age 80. The drumming heart of the band for 58 years. Only Mick, Keith, and Bill remain alive. Complete five-member sets are permanently closed. Any new signed item from this point forward is, by definition, incomplete. This sleeve is the complete, original, irreplaceable lineup – signed in period, on a vintage 1964 sleeve, with the band assembled. The forensic record (placement consistency, ink consistency, group-signing arc) confirms in-person band signing rather than assembled fragments. The Stones’ second American album. Released October 17, 1964 by London Records. Reached #3 on the Billboard 200 – their first US Top 5. Title refers to twelve songs by the five-piece band. Recorded at Chess Records in Chicago (June 10-11, 1964) and RCA Studios in Hollywood (September 1964). The Chicago sessions are the famous trip where the Stones – in their early twenties, deep in their Chess Records hero-worship phase – walked into 2120 South Michigan Avenue and reportedly found Muddy Waters helping unload their equipment. Includes “Time Is On My Side” – their first US Top 10 hit (peaked at #6) – plus “It’s All Over Now, ” “Around and Around” (Chuck Berry), and the Brian Jones-driven harmonica showcase “2120 South Michigan Avenue, ” named for the Chess Records studio address. Born July 26, 1943 – age 21 at the October 1964 release. SAC forensic notes: large sweeping cursive, bold downstrokes, exaggerated “M” motion, 65° rightward slant. Born December 18, 1943 – age 20 at the October 1964 release. SAC forensic notes: angular cursive with crossed baseline, extended “R” crossing stroke, visible ballpoint compression at turns, 63° rightward slant. Born February 28, 1942 – age 22 at the October 1964 release. Found dead in his swimming pool July 3, 1969, age 27 – Cotchford Farm, East Sussex. Founded the band; played slide guitar, harmonica, sitar, marimba, recorder. SAC forensic notes: flowing rounded loops, distinct looping “B, ” balanced pressure, 66° rightward slant; signature characteristics align with pre-1969 mid-1960s exemplars. Born June 2, 1941 – age 23 at the October 1964 release. Died August 24, 2021, age 80. Drums – the rhythmic backbone of the band for 58 years. SAC forensic notes: upright angular construction, controlled and clean stroke flow, angular “W” structure, light consistent pressure, 61° rightward slant. Born October 24, 1936 – age 27 at the October 1964 release (oldest member of the band). SAC forensic notes: compact rhythmic style, even compression, rounded “y” tail, moderate consistent pressure, 62° rightward slant. SAC Certification #SAC005732 – February 2026. Final Assessment: AUTHENTIC · Display Value: EXTREMELY HIGH. Side-by-side comparative imaging against PSA-certified examples forms the documentary spine of the report. All Five Signatures Display. No tremor or tracing indicators. No uniform mechanical stroke thickness. Comparative consistency with mid-1964 to 1966 Stones exemplars. Forensic Imaging Methods Applied. Grayscale Structural Imaging – removes ink color and background bias. Edge-Stroke Geometry Analysis – isolates pen-stroke boundaries to detect tremor or simulation. Heat Map Stroke Density Analysis – visualizes pressure rhythm and dwell time. Stroke Order Reconstruction (numbered & directional) – reconstructs writing sequence. Ink & laminate interaction analysis: blue oil-based ballpoint ink, pressure-based compression at turns, minor micro-skip typical of laminate signing, slight oxidation consistent with 60-year aging. Ink rests primarily atop the laminate surface. No evidence of modern ink layering. Laminate wear consistent with mid-1960s production. Pressing authenticity: The PS 402 Stereo pressing corresponds to early US London Records production – correct stereo marking placement, period-correct London logo, 1964 typography alignment, laminated sleeve consistent with original issue. No reproduction sleeve characteristics observed. Signature placement follows a natural group-signing arc and is spaced in a coordinated manner consistent with in-person band signing sessions – not a fragmented, assembled set. Full 19-page forensic report and Letter of Authenticity travel with the item. Certification number is verifiable directly with SAC via CertCheck. Letter of Authenticity & Forensic Report. Selected pages from the 19-page SAC forensic examination booklet are shown below. Letter of Authenticity (page 1). Records certification number SAC005732, the five signers, item details (London PS 402 Stereo, October 1964 US release, 12? LP laminated sleeve), writing instrument, ink color. Includes initial item description, condition disclosure (laminate scuffing, surface wear, age-consistent corner wear), and full placement breakdown for each signer. Forensic signature analysis table (page 2). Plus ink & laminate interaction, pressing authenticity confirmation, and the comparative imaging set begins (Keith Richards SAC vs PSA #85597338, Mick Jagger SAC vs PSA #84427102, Brian Jones GFA vs PSA #8448218). Bill Wyman comparative imaging & forensic methodology (page 4). Includes the court-defensible explanation of why grayscale and edge-stroke geometry analyses survive Daubert/Frye standards. Integrated forensic summary (page 18). Convergent validation across all four independent imaging methods (grayscale, edge-stroke geometry, heat map, stroke order reconstruction). Wyman stroke order reconstruction with numbered directional flow, plus the consolidated forensic methodology that moves the opinion from “looks similar” to. Mechanically consistent writing behavior. Overall conclusion & final assessment (page 19). SAC’s formal opinion: the autographs of Keith Richards, Mick Jagger, Brian Jones, Charlie Watts, and Bill Wyman on the examined. Album cover (London Records PS 402, 1964 US Stereo pressing) are genuine and period-applied. Display & Collector Value: EXTREMELY HIGH – complete five-member Rolling Stones lineup including Brian Jones on an early 1964 US pressing. Condition – Full Disclosure. This is a 60-year-old laminated album sleeve that has been handled. We are direct about its condition rather than understate it. Album sleeve grade: Good to Very Good. Visible laminate scuffing, surface wear, crease lines, and age-consistent corner wear. No tears, no tape repairs, no writing apart from the five signatures themselves. Autograph grade: Very Good. All five signatures remain visible and forensically authenticated. SAC notes that ink remains visible though partially impacted by laminate abrasion in certain areas – meaning some surface disruption from the laminate wear intersects with portions of the signature lines. The signatures are not pristine. They are, however, complete, identifiable, forensically verified, and in-period. Sleeve only – no record / no inner sleeve / no insert. For a complete original five-Stone lineup including Brian Jones – an item type that has been permanently closed since 1969 – the condition is consistent with what survives in the market. Pristine examples of this configuration effectively do not exist. Museum-grade archival matting (acid-free). Avoid direct sunlight – ballpoint ink remains susceptible to long-term fading, particularly on laminate stock. Consider professional conservation framing – specialist mounting that supports the laminated sleeve without further stress to the existing wear. Subject to Klarna approval. Hi-res cameras at the location will also confirm your identity. This is a condition of sale for all international orders. This item is fully insured for its declared value during transit. Serious, reasonable offers only. Best Offers below 50% of list price are auto-declined. Please check out our other vintage autographed memorabilia listings.