BEATLES REVOLVER 50 SIGNED SET by K. VOORMANN(LENNON-McCARTNEY-HARRISON-STARR)
ITEM 1: Birth of an Icon REVOLVER 50: THE GRAMMY ANNIVERSARY EDITION Limited DELUXE Edition by KLAUS VOORMANN (Number 18 of only 67 DELUXE Editions) with Genesis Publications Limited. Each DELUXE copy of REVOLVER 50 includes a unique ONE-OF-A-KIND framed ORIGINAL Artwork by KLAUS VOORMANN. ITEM 2: REVOLVER 50: THE COLLAGE SERIES Limited Edition REVOLVER -themed ONE-OF-A-KIND Artwork by KLAUS VOORMANN (Number 18 of only 250 ORIGINAL Artworks) with Genesis Publications Limited. ITEM 3: An Evening with Klaus Voormann at the GRAMMY Museum Limited Edition Event Poster. SIGNED, MINT, UNFRAMED and OUT OF PRINT. THE BEATLES 1966 REVOLVER RECORD STORE DISPLAY. THE BEATLES REVOLVER LP ALBUM. SIGNED and in USED CONDITION. ITEM 1: Birth of an Icon REVOLVER 50: THE GRAMMY ANNIVERSARY EDITION Limited DELUXE Edition (18 / 67). This UNIQUE artwork is taken from page 19 of the book depicting a conversation. Concerning the progress of the REVOLVER album cover. This particular ONE-OF-A-KIND drawing is strikingly different than the artwork used for the book’s release (please view the difference in my photo gallery). REVOLVER 50: Birth of an Icon. Each Deluxe copy of REVOLVER 50 will come with a unique framed artwork framed size, 47 x 47cm (18.5 x 18.5). Presented within an acid-free mount and UV glaze, this larger format pencil drawing is signed and authenticated by Klaus Voormann. In 1966, The Beatles departed from their earlier records and pushed the boundaries of rock and pop music by releasing their innovative and seminal album. Capturing The Beatles’ new direction, and visually representing their sound, Klaus Voormann’s. Cover artwork became instantly iconic. It went on to win the Grammy Award for Best Cover – Graphic Arts on 2nd March 1967 – the first time for a rock and pop album. Now, Voormann is working with Genesis Publications on a limited, Grammy Anniversary edition of a book he has created, entitled. Including new artwork, photos, and introductions by Paul McCartney and Ringo Starr, the book offers a fascinating insight into the making of the legendary cover artwork. REVOLVER 50: The Grammy Anniversary Edition. Is limited to only 500 copies. Each book comes with a signed original drawing by the artist; a one-of-a-kind artwork, from a selection Voormann has curated exclusively for this anniversary edition, as well as a special Grammy Anniversary 12-page commemorative booklet. In the end, the. Cover was a classic and this book is another. REVOLVER 50: BIRTH OF AN ICON. Klaus Voormann is an artist, musician and producer who, in addition to designing the Award-winning Revolver artwork has also designed over 100 magazine and record covers, for musicians including the Bee Gees, as well as the artwork for The Beatles Antholo. He was a member of Manfred Mann, and has also played on many solo projects by George Harrison, Ringo Starr and John Lennon. He also took part in the Concert for Bangladesh, and was a founding member of John Lennon’s Plastic Ono Band. As well as contributing to recordings by, amongst others, Randy Newman, Lou Reed, Ravi Shankar and Carly Simon. In 2009 Voormann celebrated his 70th birthday by releasing his own album. A Sideman’s Journey. Featuring various musicians he has collaborated with over the years – such as Paul McCartney, Ringo Starr, Yusuf Islam, Dr. John and Eagles guitarist Joe Walsh. The Grammy Anniversary limited edition of REVOLVER 50 will come with an original, unique piece of artwork from Klaus Voormann. The drawings for the Deluxe and Collector copies are exclusively made available for Genesis readers. I opened my graphical’treasure box’ and made 500 original drawings available for the Grammy Anniversary edition of my book. Each Collector and Deluxe copy is unique and makes you the owner of an original Klaus Voormann artwork. Chosen from Voormann’s archive from the. Graphic novel, each of these artworks forms a vignette from the story of. Creation, and the artist’s journey to create the cover design. This is a valuable opportunity to acquire a piece of the. Narrative, as well as a beautiful piece of art. In REVOLVER 50, the story of the album cover is recounted in the style of a graphic novel drawn by Voormann. Telling the story of his first encounter with The Beatles in Hamburg, his visits to Abbey Road to listen to. During the album’s production, and the ultimate reaction of the band to his artwork, as well as the enduring impact it had on album cover design. Additionally, there is a Foreword from Paul McCartney, and an introductory letter from Ringo Starr, reminiscing about the making of. And the album cover. This is accompanied by introductions by Mike D’Abo of Manfred Mann, and Professor Lawrence Zeegen, Dean of the School of Design at Ravensbourne. Thanks for sending me the proof of your. Book – it brought back such great memories – even farther back than. To when you used to share an apartment with George and I in Whaddon House in London. Each Deluxe copy of REVOLVER 50 includes trace paper inserts, a series of new original illustrations, and contributions from McCartney and Starr. Only numbers 1-67 will be Deluxe copies; the books will be fully hand-bound in Klaus Voormann’s choice of soft grain imitation leather, with gold foil blocking and gilt page edging. Each copy will also be encased in a beautiful solander box, and will come with an exclusive Grammy Anniversary booklet. Each Deluxe copy of. Will come with a unique framed artwork framed size, 47 x 47cm (18.5 x 18.5). ITEM 2: REVOLVER 50: THE COLLAGE SERIES. From Genesis Publications Limited, from whom the. For the first time, Voormann is returning to the collage medium to create a series of unique Revolver-themed artworks. REVOLVER 50: The Collage Series brings alive the creative process that won Voormann a GRAMMY award 50 years ago. A pair of scissors lying there, a knife or a pencil or a brush, all of these things you actually use when you are at the table working on a piece. Is an original mixed media artwork. Featuring a pen and ink drawing that represents the making of this historic Beatles cover, an archival Giclée print on cotton rag paper is supplemented with collage pieces drawn and hand-painted in watercolours by Klaus Voormann. Each of the 250 artworks has been individually decorated with elements hand-crafted by Voormann – the pens, pencils, scissors, ink wells, and other artists’ tools of the trade he used for the cover design, along with playfully-placed photos of The Beatles. The result is a series of unique. Inspired artworks, each signed by Klaus Voormann. 250 handcrafted art collages. Giclée print with collage and watercolour painting. Hahnemühle Cotton Rag® 320gsm. 18 x 18 inches. 24 3/4 x 24 3/4 inches. Numbered and signed by the publishers. Black with silver pin line. White mount with deep French-bound edge and black highlight. Inspired by his original artwork and by the tools that he used to make it, Klaus Voormann has created 250 original artworks that are immediately recognisable as the Revolver cover in progress. Voormann has gone through an extensive creative process to produce each artwork. Klaus Voormann is an artist, musician and producer who, in addition to designing the Award-winning Revolver artwork has also designed over 100 magazine and record covers, for musicians including the Bee Gees and The Beatles. As well as contributing to recordings by, amongst others, Randy Newman, Lou Reed, Ravi Shankar and Carly Simon, in 2009 Voormann celebrated his 70th birthday by releasing his own album. ITEM 3: An Evening with Klaus Voormann at the GRAMMY. MUSEUM Limited Edition Event Poster. I received this signed. Event poster directly from Genesis Publications Limited. An Evening with Klaus Voormann at the GRAMMY Museum. On Tuesday night a special event was held at the Grammy Museum in Los Angeles celebrating the 50th anniversary of Klaus Voormann’s. The evening with Voormann saw him speaking to Scott Goldman, Vice President of the Grammy Foundation, about his life as a graphic artist, the creation of the. Artwork and his collaboration with the Beatles. He showed excerpts from his limited edition book. And shared anecdotes from his time working with The Beatles. He also spoke about his passion and career in music. Voormann gave an exclusive preview of his new handcrafted art collages – mixed media pieces inspired by the award-winning. Cover – which are exclusively available from Genesis Publications. THE BEATLES 1966 REVOLVER RECORD STORE. Whom the Confirmation of Authenticity is issued. An easel-backed card stock in-store shop display from the 1960s used to promote the release of The Beatles album. With the exception of posters, it was highly unusual for EMI to produce promotional material for any of The Beatles releases, particularly in the mid to latter part of the group’s career, because of their immense popularity. The standee is an enlarged image of the front of the UK mono vinyl LP sleeve. It was originally on display in 1966 at Beatties department store in Wolverhampton, England. At the same time he spotted the. Display and asked if the store would save it for him. Tonks was told that the standee had already been promised to someone else; however, that person failed to show and staff gave Tonks the display after the promotional period was over. His name is written on the reverse of the display. 29 1/2 by 28 1/4 inches. Revolver album by the Beatles, signed vertically on the front cover in black felt tip by its designer, Klaus Voormann. In very good condition, with scuffing, edge wear, and full separation to spine. The record is included. Albums of All Time. Was the sound of the Beatles fully embracing the recording studio as a sonic canvas, free to pursue musical ideas and possibilities that would reshape rock forever. It speaks volumes that the first song the band worked on upon entering Abbey Road studios in April 1966 would have been impossible to replicate live – a swirl of hazy guitar, backward tape loops, kaleidoscopic drum tumble, and John Lennon’s voice recorded to sound like the Dalai Lama singing from the highest mountaintop. ” They titled it “The Void” and later renamed it “Tomorrow Never Knows. ” “I was wondering how George Martin would take it, Paul McCartney later recalled. Martin’s response: Jolly interesting. The Beatles’ lives were changing too: Lennon had taken LSD at this point, George Harrison was deepening his interest in Eastern mysticism, and McCartney was getting into avant-garde composition. All those influences came through here. Wasn’t totally without precedent. The Beatles’ previous album. 35, had a similar experimental introspect. Could be volume one and volume two. ” But no band, including the Beatles, had tried anything like McCartney’s strikingly mature art song “Eleanor Rigby, ” Lennon’s trippy tape-loop swirl “I’m Only Sleeping, ” or Harrison’s “Taxman, with its cutting groove and lyrics that took shots at British politicians. It made sense that the disappointing live shows the band played in the summer of 1966 would be their last. Came out, they’d already entered another world. Check out my other items. Be sure to add me to your favorites list. “ANOTHER SIDE OF BOB DYLAN”:SIGNED LP & PRINT + EMBOSSED LABELS LP + BOX SET. “DAVID HOCKNEY: A BIGGER BOOK” Art Ed. NAMED BRITAIN’S MOST INFLUENTIAL ARTIST OF ALL TIME!! 2-LOU REED & MICK ROCK PRINTS+BOOK 1-OF-5 DAVID BOWIE-ANDY WARHOL-ROLLING STONES. LOU REED SIGNED JUST PRIOR TO HIS SAD & UNTIMELY DEATH. 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